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THE WALKING BREAD! New exhibition brings bread to life

Joe Davies and a cohort of UAL Chelsea Fine Art (BA) students recently held the exhibition “In Memory of the Bread Child”. Each artist created a piece of work surrounding themes of maternity, emotion, and loss. In the centre of the exhibit was Joe’s sculpture: a figure crawling out of an oven, constructed near entirely out of bread dough. Memphis Maud featured in the exhibit with their wonderfully creepy performance art.

Joe Davies’ sculpture for “In Memory of the Bread Child”

Q: This was your first exhibit; how challenging was it for you?

A: It was very challenging because I’m not used to putting my work on show. There’s loads of little things that you don’t know you need to do with an exhibition, I learnt a lot.

Q: What kind of little things?

A: Stuff like booking a venue… Also working as a team is something I haven’t done very often, so that was a challenge.

Q: Using bread as your main medium is unconventional, what prompted you to use it?

A: It was one of my lecturers. In one of their pieces they used gingerbread men. I thought it was interesting, I hadn’t seen it before. I also like the idea that it’s not permanent, that it’ll eventually rot and die; it’s an interesting dynamic to play with.

Q: What were the main difficulties you faced using bread?

A: It was quite time-consuming to make. The fact that it rots and smells caused some discomfort.

Q: I’m guessing you’re a bit sick of bread at this point?

A: Yeah, I’m going to take a break from it for now!

Q: Memphis’ interactive performance art was a highlights of the show, as they paraded the space and expressed ritualistic actions. How did the idea for “Mother Grub” come about?

A: It was Memphis who came up with the idea. I knew that we wanted performance art; we initially constructed an outfit constructed of bread loaves, but we found the pieces were difficult to wear and broke. So, we went with the idea of a hag covered in dough instead. I don’t think their performance was too planned, it was very raw and improvised, playing into what the audience was doing.

Q: What was the reception like?

A: It went well! People seemed to enjoy it, and I overheard some people saying they were scared which I really liked.